Back when blogs still existed — including this blog — my friend Asher wrote about a musical contradiction: “If dance music should make you want to dance, it doesn’t make much sense that the best dance album of the year makes you want to do anything but move.”
This was 2012. The album was Gossamer, Passion Pit’s second record. In 2008, Passion Pit had rocketed from dorm room novices to indie darlings because of the single “Sleepyhead.” The track is about a breakup, but that’s apparent only if you can understand the hard-to-decipher words sung in lead singer Michael Angelakos’s falsetto voice. “Sleepyhead” was part of a Manners album that, because of its emphasis on the beats and choruses, was a relatively light-hearted affair.
Although Gossamer had a similar bounce, it was far more introspective and its lyrics far clearer. Angelakos wrote and sang about drugs, mental illness and anorexia. After a performance in spring 2012 that included songs featured on Gossamer, he told Pitchfork, “We tried as hard as we could to pretend that we were having a good time, but we were miserable.” A week before the album’s release that summer Passion Pit announced the postponement of the rest of its tour because Angelakos was seeking treatment for depression and bipolar disorder. The personal journey he undertook to create Gossamer had contributed to his illness.
Could we dance to that music? Should we? Continue reading